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If you have read any of my writings you may be aware that quite often I openly and unabashedly cross those lines between personal experience and what I understand as structural racism, classism, sexism and privilege. I do this to offer my take on issues that affect us all, but I mostly do it to understand my own demons. It takes quite a while for the film to turn dark. To survive, barely earning starving wages, the Kims resort to a lot of hard work, ingenuity and chicanery.
Yes, deception is part of what the poor, as exemplified by the Kims, have to do to do more than surviving because hard work and education alone are not cutting it. Understandably, they want to be in a better position than literally existing barely above ground or above water for that matter , and they do this by posing as others.
They have to be exceptional just to pass. As the story develops, the Kims are not presented as heroes and in many instances, they cross the line into villainy, or so it seems. Even taking into consideration how the film portrays them, it is hard not to identify with the Kims. But on second thought, that is exactly where the brilliance of the film lies.
It is not just the ambiguity and nuance- of which there is plenty, it is leaving the door open to many interpretations what makes the film an instant classic and perhaps the best medium to expose extreme wealth inequality. The Kims live in a world of microaggressions. It is the macroaggression of being thought as having a perverted sexuality and the inability to control it, a temper to match but neither brains nor moral fortitude to temper them.
