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Artist Spotlight: Works exhibited at the Nuuk Art Museum question the expectations associated with the Greenlandic national costume. Art should shift and redraw boundaries. Lisbeth Karline Poulsen was born in in Nanortalik.
She attended the Art School in Nuuk, starting in , and later completed her education as a visual artist at Aarhus Art Academy. She has been living in Nuuk since , working as an artist. Three untitled works by Poulsen were realized in after the exhibition The White Out where, among other items, she exhibited a whole Greenlandic national costume sewn in white and in connection with a workshop held at KIMIK during Nuuk Nordic Culture Festival I still have a long way to go in exploring the wealth of symbolical elements, all the patterns and materials in it.
The piece featuring the necklace contains a small additional detail that underpins the main motif: a small area decorated with a thread and beads. It is a fine detail which interrupts the otherwise consistent use of material. Poulsen has since made another series of prints on paper, which were titled afterwards in connection with other exhibitions.
In her work, Poulsen also deals with time and unfinishedness, since it is her opinion that works do not necessarily need be finished or, for that matter, identical. Poulsen is very inspired by different materials and handicraft techniques, such as paper print. When producing her prints, she starts by blending and soaking paper to form a pulp. Then she prepares a fine mesh strainer, consisting of a metal mesh. At that point the object to be printed—for instance the bead collar of the national costume—is placed on the strainer, and the paper pulp on top of it.