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Even though artist Pia Arke died untimely in , her artworks live on — and they have neither lost their voice nor their relevance. A relevance which is aptly exemplified by a work like Arctic Hysteria. Arctic Hysteria is a video piece from Naked, artist Pia Arke — crawls around a black-and-white photograph of Greenlandic landscape, which she eventually tears to pieces. Before that, she sniffs, crawls and rolls around with sensual and slightly erotic movements, leaving no body part to the imagination.
She emphasises therewith the staging of what follows. But what is Arke staging? First and foremost, she stages our gaze. This gaze is complex though, and points into many different directions. Nudity involves a form of exhibitionism — and, for us onlookers, of voyeurism as well. Her movements constitute a more or less staged choreography — and not necessarily an unambiguous one.
For instance, is it hysteria when she — in an otherwise very controlled manner — rips apart the landscape beneath her? Her movements do not appear fluid, rather choreographed. Is there anything sensual or sexual about her sniffing, crawling, rolling — all these staged movements? I had never seen such a picture in an archive before, considering that many archival photographs resemble each other, that is with the savages alone in kayaks, landscapes, icebergs.
Arke was not allowed to take the picture with her. The local curator at The Explorers Club claimed the photograph showed a case of arctic hysteria, although as Pia Arke remarked in the aforementioned interview, she would also turn a bit hysteric if two fully dressed men were to clutch her naked.
