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Athens, Greece. I have always seen myself as at the centre of attention, as the heroine who takes revenge on anybody and anything. But my body was not strong enough. These words of the Argentinian choreographer Marina Otero set the focus of her works based on autobiography, personal temperament and gendered identity.
More particularly the work Fuck Me refers to her surgeries and hospitalisation due to spine problems and to the effects of a fragile body for a dancer, a woman and an individual. Her body, the body of a dancer is incapable of dancing, of keeping going, of making love and of experiencing the world as she used to. The Festival, formerly known as Onassis New Choreographers Festival celebrated its 10 th anniversary by expanding its scope to include invited artists from abroad.
It took place after three days of national mourning for the train accident at Tempi which had cost the lives of more than fifty people mostly young. It focused on female choreographers and presented a diverse range of choreographic voices who explored sexuality, tenderness, witchcraft, role stereotypes, gaze voyeurism; themes that took on unexpected connotations because of the mourning. The performance of Fuck Me starts with five male dancers sitting in the audience, who take off their clothes and run on to the stage.
Five extremely capable male bodies offer the pleasure of virtuosic dance to the voyeuristic expectations of the viewers. Set to a kitschy sentimental Argentinian pop song, the scene plays with the exposition of a strip show and the fever of a dance party.