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The Saint Louis Art Museum is home to a renowned collection of German art established through a series of transformative gifts and purchases. Assembled from this collection, Storm of Progress spans the years to the early s, over two centuries when German art, politics, and history were inextricably linked. No one expressed this interconnection more clearly than the German Jewish cultural theorist Walter Benjamin — , who inspired the exhibition title.
Benjamin imagined history as a powerful storm—a storm of progress—whose winds propel humanity into an uncertain future. His concept captures both the devastation and hope seen in German art since the beginning of the 19th century. The exhibition presents more than works of different media in chronological sections that explore key ideas and events. In the tumultuous years before World War II — , the territory of present-day Germany had five different governments.
Culture, rather than nationhood, formed the basis of a collective German identity, and artists balanced a long history and rich traditions with rapid industrialization and a growing international prominence. After , German artists were censored and persecuted under the fascist Nazi National Socialist regime.
Some who could, fled. Those who stayed witnessed the horrific extent of Nazi atrocities. Postwar German artists addressed the burden of this legacy, producing artworks that confronted the trauma of war and the memory of the Holocaust. Sometimes, their work provoked a German public not ready to face the recent past. The fall of the Berlin Wall in ushered in a new era during which artists embraced alternative media as they explored rapidly shifting popular culture and the globalized urban spaces of the emerging millennium.
