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When Jesmyn Ward took the stage with Ayana Mathis , each novelist glanced around the warm, lush Maltz Performing Arts Center in Cleveland and toward the hundreds of faces turned in their direction.
Mathis, 45, began directly, opening her black Moleskine notebook to a page of jotted questions. She asked Ward about place and the centrality of Mississippi to her fiction. Ward, 41, a Southern writer who made a deliberate decision to return home to the Gulf Coast to live and work , said it was important for her to learn that wealth was once so concentrated in Mississippi that half of all U. I feel that, that past, and it allowed me to make my characters richer.
Mathis, who lives in Brooklyn, N. All those generations in southern Mississippi have lived in poverty. She brought up William Faulkner, who, like Ward, created a fictional rural Mississippi county populated with poor folk. I am always thinking about my characters — I feel them, feel for them, and I feel conscious of the ways black characters are short-changed in his work.
Both women spoke about their aversion to outlining fiction; how they find the characters they create surprising them, chuckling about its almost mystical coloring. I feel real sympathy for children made to bear adult burdens.