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By Alex Greenberger. Senior Editor, ARTnews. In addition to reassessing their relationship, scholars have begun to reflect anew on the art that Maar made.
This included Surrealist photography and works that explicitly dialogued with Picasso, in particular her documentation of him creating Guernica. Untitled Pablo Picasso is a tribute to the artist in a style that recalls his own.
His face is fractured into a series of interlocking planes, the septum of his nose neatly dropping down to the corner of his upper lip. Critics such as Picasso biographer John Richardson have claimed that when Picasso abstracted his lovers into portraits like this one, he was doing psychological violence to the women in his orbit.
Regardless of whether Maar was intentionally doing the same to him in retribution, she has at the very least drawn liberally on his style, claiming it as her own. Her survival was hard won. In her memoir Life with Picasso , written with Carlton Lake, she expressed much admiration for Picasso as an artist and much scorn for him as a man, recounting instances of physical abuse, emotional manipulation, and misogynistic demands for how she ought to support him and their family. Against all that, Gilot continued to pursue her career as an artist, painting in their home and even showing with the same dealer as Picasso.