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To browse Academia. Storia, memoria, rimozione", a cura di M. Beer, A. Foa, I. Iannuzzi, Roma Viella, , pp. Alice Bonandini. This article presents 27 hitherto unpublished letters sent by one of the foremost classicists of the 20th century, Harold F. Cherniss , to Mario Untersteiner Such a a wide, complete, and chronologically extended collection of letters casts light on personal relationships inside the community of classical scholarship in the central decades of the 20th century, but also provides valuable clues on personality features, research and methodology.
Moreover, Cherniss' statements on U. Harold F. Cristiano Sousa Ferreira. Luciano Floridi. The documents distributed by this server have been provided by the contributing authors as a means to ensure timely dissemination of scholarly and technical work on a noncommercial basis.
Copyright and all rights therein are maintained by the authors or by other copyright holders, notwithstanding that they have offered their works here electronically. These works may not be reposted without the explicit permission of the copyright holder.
Johnny L. Angela Sanna. In his writings and interviews, Lucio Fontana always acknowledged his affinity with Futurism. This essay examines how this connection was articulated in Fontana's statements and creative works after the Second World War, considering his relationships with artists and artistic groups who rediscovered Futurism in the postwar period and appropriated some of its aims and methods.
