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Women's cinema primarily describes cinematic works directed and optionally produced too by women filmmakers. The works themselves do not have to be stories specifically about women, and the target audience can be varied. It is also a variety of topics bundled together to create the work of women in film. This can include women filling behind-the-scenes roles such as director, cinematographer, writer, and producer while also addressing the stories of women and character development through screenplays on the other hand, films made by men about women are instead called Woman's film.
Women's cinema recognizes women's contributions all over the world, not only to narrative films but to documentaries as well. Recognizing the work of women occurs through various festivals and awards, such as the Cannes Film Festival , for example. The concept has had its fair share of criticisms, causing some female filmmakers to distance themselves from it in fear of being associated with marginalization and ideological controversy.
In Sweden, Anna Hofman-Uddgren was that country's first female film maker—producing the silent film Stockholmsfrestelser in She also acted in the film. Elvira Notari is the first Italian woman director to make a film.
Helen Gardner , a Vitagraph Studios player who had won acclaim for her portrayal of Becky Sharp in the version of Vanity Fair , was the first film actor, male or female, to form her own production company, The Helen Gardner Picture Players. In Russian filmmaker Olga Preobrazhenskaya began directing films in the "Timan and Reingardt" studio. She is the first Russian woman director.
