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Excavation —52 of the ancient mound yielded evidence of five cultural periods. Period I pre bc , the earliest occupation, was characterized by Ochre Colour Ware and the absence of iron. Period II c. Other objects included beads of cornelian, agate, jasper and bone, bangles of glass the earliest so far in India and terracotta figurines of animals.
Not only was there ample evidence of river erosion at the foot of the riverside face of the mound, but washed-away material was also encountered in borings in the riverbed, some 15 m below water-level. A late stage of PGW has also been found in the earliest levels at Kausambi. These two pieces of archaeological evidence provide circumstantial evidence for the Puranic statement that during the reign of Nichakshu, fifth king after the war related in the Ancient Egyptian ruler of Egypt and patron.
Daughter of Tuthmosis I and princess of the royal blood, Hatshepsut married her half-brother Tuthmosis II and, at the death of her father, became queen consort.
Unlike previous women who had ruled Egypt, she was consistently portrayed in sculpture and relief as a male, creating a polite fiction that enabled her to legitimize her claim to the throne. Her sculpture generally conforms to the royal style of Tuthmosis III, although in certain instances the sculptor has attempted to soften the masculine conception of the vigorous and athletic youth that embodies the Tuthmosid ideal. Hatshepsut is occasionally depicted with slender elongated limbs that may well be an attempt to imbue the royal figure with a sense of femininity Egyptian site in the Faiyum, an oasis 80 km south-west of Cairo.
