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To browse Academia. The conference was a two-day multidisciplinary exploration and interconnected discussion of this new and vibrant facet of Horror Studies. The issues of normalcy and Otherness, the re-examination and re-evaluation of national identity, and humanity's relationship with the environment, were common threads throughout the two-day conference. The call for papers had an abundant and enthusiastic response from international scholars and creative practitioners, and was divided into parallel panels packed with diverse content.
Revenant: Critical and Creative Studies of the Supernatural. Dawn Keetley. Joshua B Tuttle. ISBN pbk , hbk. It must provide definitions, theorization, a canon, and a justification. Phil Smith. Brendan C. There has been a veritable outpouring of both popular and academic writing on folk horror in the wake of folk horror's resurgence in the post period.
The last three years, for instance, has seen an excellent and comprehensive documentary film, Kier-La Janisse's Woodlands Dark and Days Bewitched: A History of Folk Horror ; a special issue of the journal Revenant: Critical and Cultural Studies of the Supernatural dedicated to folk horror with a special issue of Horror Studies in the works ; and four collections of scholarly essays either just published or forthcoming in see Bacon; Bayman and Donnelly; Edgar and Johnson; and Keetley and Heholt.
While Janisse's documentary devotes a significant length of time to American folk horror and at least two of the academic collections include a handful of essays on the topic, the overwhelming focus of this scholarship has been British folk horror. This is not surprising, of course, since the articulation of folk horror as either a genre or a literary and cinematic form emerged from writers' engagement with specifically British folk horror see, e.