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A tense, original study of marital infidelity, Betrayal Izmena represents a cinematic coming of age for Russian director Serebrennikov, who has shaken off the stage direction background that showed through in his first film to score some international festival action, Playing the Victim , to create an impressive, arresting metaphysical noir. Lighting up the early stages of the Venice film festival competition, Betrayal features a standout performance by German actress Franziska Petri as a cheated and eventually cheating wife whose surface poise is riven by forces of passion she can barely control.
Eminently cinematic, it should nevertheless work also on a smaller screen for patient, cine-literate audiences. One of its most impressive aspects is the way it refreshes hackneyed film conventions. The inciting incident is beautifully managed, and completely unexpected: it comes when She Petri — a glacially beautiful cardiologist — informs He Macedonian actor Dejan Lilic — a patient who has come in for a routine check-up — that she is not feeling great to day, because her husband is having an affair — with his wife.
Later, a transition between acts is effected when She runs into the woods, finds a buried bag of clothes, and changes into them. The Creative Europe Media programme has long been a cornerstone of the European film industry. But some worry it is now prioritising business objectives over cultural ones — and independent filmmakers are losing out. Screen International is the essential resource for the international film industry.
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