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The artist works with various creative and technical materials. Her tools are the image, sound, installations, and above all else new media digital photography, video, etc.
Actually this is a sort of confrontation between the body and the camera even a violent confrontation. In a symbiosis with the body, however, mutations, montages, interchanging of identity and loss of intimacy come about. Playing with the camera evokes satisfaction, yet also means a memento. As if the body were stripped of its skin. At the same time this process also transforms I, the artist and the viewer.
The I becomes a quasi-theatrical role, in which stylisation and auto-stylisation take place. Exhibitionism or rather a desire to perform plays out. These processes are of course the basis of interhuman communication, yet here they fall apart. The body still alone reposes in a virtual space; ultimately it becomes imprisoned. The body reacts with futile, expressive screams which probably also represents a commentary on certain gender stereotypes.
Privacy and intimacy become a barrier. Attempts to publish the deformed and provocative body are meant to lead to the provocative destruction of this closely-guarded boundary. Artefacts comment attempts to break down barriers, borders and limits between the public and private space, the border between convention and traditional roles, etc.