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Inside, she sits at one of the six sewing tables. She takes a strip of fabric to attach to the main body of a skirt, places the fabric on the sewing plate, and presses lightly on the foot pedal. Head bent slightly over her work, she glides the fabric across the plate as the needle vibrates. The room is silent except for the hum of the sewing machine. Light filters in through the barred windows, casting a sheen on the cement floor.
Holguin often leaves the door slightly open to listen to the sounds of her neighbors coming and going from the small cinder-block homes that line the corridors of Oasis. A small child throwing a ball against a wall. Water flowing from one of the utility sinks. Holguin and her husband left for the city when the seeds they planted failed to sprout in the hard land. Mothers and fathers walked out of the mountains, their children dying in their arms, to find help in nearby mestizo villages. Women could no longer nurse their babies.
In Oasis, Holguin gave birth to six children: four daughters and two sons. Because they had arrived at Oasis as a young couple, and because her husband had earned a reputation as a strong construction worker throughout the years, her family had achieved greater food security than perhaps any other in Oasis.
But they suffer persistent food insecurity and racism. Child traffickers and cartel recruiters visit the compound on a regular basis, and mestizos come by to sell paint thinner to children. Holguin understands these new dangers intimately—one of her sons became addicted to sniffing paint thinner as a young teenager—but she says that a return to the conditions of the Sierra is impossible for her people.
