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Tuesday 11 September Happy and Glorious. It is this intelligent, troubled face that inspired Miss Tey's convalescing Inspector Grant to stave off his boredom by launching a private inquiry into the fate of the little Princes in the Tower: did Richard have them murdered? Grant brings his modern Scotland Yard methods to bear on the historical mystery, with surprising results.
Sadly, the truth is that this romantic portrait of King Richard was painted over a century after his death: the age of the oak panel on which it is painted can be accurately dated by dendrochronology. I read that word in a National Geographic at the dentist's and I've waited a long time for the chance to impress my Gentle Readers with it!
With the advent of the Tudors, the kings started hitting the Great Painters jackpot. The first Elizabeth had Nicholas Hilliard. Charles I trumped them all with Anthony van Dyck, but Charles II fought back gamely with Peter Lely, who for good measure painted all his mistresses too. That would have been a full-time job! European royalty loved Franz Winterhalter's romantic and flattering portraits, and Queen Victoria was no exception. He painted dozens of portraits of the Queen and her circle, including a very special one which she gave to Prince Albert as a birthday gift in The Prince considered her bare shoulders, loose hair and langourous expression too sensual and intimate for eyes other than his own, and kept it behind a screen in his private office.
Albert was of course entitled to his opinion but for myself, I can't really see anyone being driven crazy with lust by the "secret picture", as the queen referred to it in her diary. It's no Playboy centrefold. Our own Queen is undoubtedly the most portrayed monarch of them all. During the first 60 years of her reign, she has sat for official portraits. She is a public figure, instantly recognisable, but she is still enigmatic: her thoughts and opinions remain private.