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Argentine painter, draftsman, and collagist. He developed an essentially intellectual approach, working in a variety of media paintings, drawings, gouaches, and collages in rigorous sequences and picturing objects in cold impersonal light that confers on them a sense of distant majesty.
The most common motif is that of a geometric, almost abstract, structure, often in the form of a tower pierced by rows of large plain windows. He created small pictures that present minuscule figures contemplating the dusk from high terraces in unknown towns in vast landscapes with infinite horizons.
He used grey or gilt tonalities, which makes his canvases more intimate and secret Mexican photographer. He left school at the age of 13 to help support his family but pursued his creative interests by studying foreign photography magazines and receiving instruction from the German photographer based in Mexico, Hugo Brehme.
By , however, he turned to a modernist aesthetic inspired by the photographs Edward Weston made in Mexico in the mids as well as those of Tina Modotti, who accompanied Weston and remained in the country until Also central to this circle was Oswald de Andrade was probably the son of the writer and art theorist, Mario de Andrade.