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Romolo Venucci Wnoucsek — was an Italian-Croatian painter and sculptor. He is considered Rijeka 's greatest visual artist of the 20th century. His painting work can be systematically traced through the periods of post-impressionism, expressionism, cubism, architectural impressionism, geometric abstraction and figurative painting.
Romolo was of Czech, Hungarian and Slovenian origin. By the time he returned to his hometown, the latter had been incorporated into the Kingdom of Italy. In he decided to change his Czech surname into a more Italian-sounding form. He performed several public works such as the wall paintings and decorations in the atrium of the Upper Capuchin Church , and the two angels in high relief for the main facade of the church at Kozala Among his best works from that time are his charcoal drawings on the subject of the human figure and cuboconstructivist paintings, which the public accepted with difficulty "I came to spoil the taste of my fellow citizens," the artist declared at the time.
After the Second World War, Rijeka was incorporated into Croatia, within Yugoslavia, which led most of its Italian population to leave the city permanently. However, Romolo and his twin brother, engineer and organist Remo stayed on. After his first post-impressionist phase Cantrida, , his paintings are characterized by expressionist drama Portrait of a Young Man, In the period between and , he achieved in his paintings a synthesis of futurism and cuboconstructivism Decomposed Nude, ; Figure, ; Portrait of Francesco Drenig, , which he applied to three sculptures The Bather, ; The Power of Will, ; Female Nude.
In his works up to , he remained faithful to the expressionist palette and constructivist modelled form. He was engaged in art pedagogy, illustration, restoration of paintings and graphic design. He started exhibiting his works in ; independent exhibitions were held in Rijeka , , , and Varese He played three instruments, and in particular was an excellent violinist. The works created between and probably form the most valuable of all the phases in his oeuvre.
