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If you are authenticated and think you should have access to this title, please contact your librarian. Institutions can purchase access to individual titles; please contact manchesterhive manchester. Don't have an account? Chapter 1 focuses on the avant-garde art circles in the s and early s in major cities, such as Belgrade, Zagreb, and Ljubljana.
Tumbas singles out specific artworks that put the complicated history of feminist resistance into dialogue with performance and body-centered work by women artists in Yugoslavia.
All of MUP's digital content including Open Access books and journals is now available on manchesterhive. This book looks in detail at the growth in popularity and profile of the English folk arts in the first decade of the twenty-first century. Based on original research within English folk culture, it is the only ethnographic study of its kind. The book first examines the salient characteristics of the twenty-first-century English folk resurgence.
Then, it looks at the development of a 'folk industry', beginning with a broad analysis of the historical context of the first two folk revivals. Taking the emergence of folk industry conferences as a case study, it traces the folk industry's web of intersecting institutions and discourses.