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Spike Lee is without a doubt one of the most well known black directors in film. His works commonly deal with issues of race, with the protagonist always being a person of color. The movie Shrek on the other hand is a comical film with the protagonist being an ogre, however when the film is thoroughly analyzed one can see slight factors that when amplified could make it a Spike Lee film, the main factor being that the main character is hated by a white town and attacked, for being physically different.
For these reasons when tasked with re-visioning a film in the eyes of a new director, Shrek and Spike Lee seemed like automatic fits. This is shown in the storyboard by Shrek being quite literally the only colored character.
The arms and legs of those in the mob are all white and colorless. Since Spike Lee is also known for limiting the information the audience has about those that aren't the main character, in the storyboard the only face shown is that of Shrek. Furthermore there would be the use of diegetic and nondiegetic sounds to represent the two different moods in the storyboard. When the mob is on the screen there is no background music, instead the rumbling of their feet, weapons, and the combined shouts of their voices will create the sounds that represent them.
Shrek on the other hand will have an upbeat song playing in the background during his time on the screen, to symbolise the peace and tranquillity he is experiencing. The camera will rarely be still, as common for Spike Lee films, with it shakingly following the mob via dolly while gentle and smoothly following Shrek in his house cooking and eating.