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Venue: Solomon R. Guggenheim Museum will present Harmony and Dissonance: Orphism in Paris, — , the first in-depth examination of Orphism, which emerged in Paris among a group of cosmopolitan artists in the early s—when changes brought on by modernity were radically altering notions of time and space.
Some investigated chromatic consonances and contrasts in their prismatic works, while others engaged with the rhythms and syncopations of popular music and dance.
When pushed to its limits, Orphism meant total abstraction. Alongside the formal harmony and dissonance related to color and sound that underpins Orphist compositions, the exhibition will reveal sociocultural corollaries sparked by transnationalism: the connections that greater mobility fostered between artists from myriad countries who converged in Paris as well as the tensions that geographic and cultural dislocations could engender.
Harmony and Dissonance will employ Orphism as a generous and elastic category to embrace a spectrum of artists experimenting with abstraction in the early twentieth century. Harmony and Dissonance will be accompanied by a comprehensive catalogue that, in tandem with the exhibition, situates Orphism historically, traces its roots, and addresses its multidisciplinary reach. Edited by Vivien Greene, the fully illustrated publication features essays by an international roster of both established and emerging scholars from multiple fields including dance, history, literature, and musicology—namely Nell Andrew, Tracey Bashkoff, Gurminder K.
