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To browse Academia. American artist Bang Geul Han b. In her most recent body of work , Han cracks the letter of the U. The letters comprising her generative animation Bamboo Forest are derived from Henry J. In monumental Warp and Weft 05, legislative bills from the s and s concerning crime and welfare, together with 11 state bills restricting abortion access passed in in the wake of the U. Supreme Court overturning Roe v. George Parker. Elizabeth "Betsy" S.
Wade was seen as an enormous victory. But in the years following, this momentous legislation was eroded at both the federal and state levels. Abortion has long been a tendentious, even taboo topic, surrounded by misinformation and ahistorical accounts. The artists who addressed it took an archival approach, giving abortion rights a history. Yet the art historical occlusion of their own projects has re-enacted the very situation that they had hoped to mitigate.
More recently, Bowers too has turned to the pre-Roe v. Wade years, focusing her attention on three women on the West coast working at the same time as Jane, providing women with information on doctors outside the US who would provide safe abortions. These projects take different material forms, but all three bring forth productive questions surrounding the intersection of art and activism, the aesthetic and activist potential of the archive, and again, why feminist art historical accounts have been reticent to place abortion squarely within the parameters of academic inquiry.
Ana Belen Amil , Agostina Allori. Nadia Plungian. The Feminist Pencil graphic art platform brought together six women artists. Sara Hayden. Johanna Commins. Amelia Jones. Although in our time a generation seems to be the measure of the life span of a mosquito, it was-a generation ago-agreed upon as the thirty-year span of time during which a person could grow from birth to parenthood.