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A more explicit echo of the classical Cyclopes occurs in numerous allegorical readings of the Ulysses—Polyphemus and Polyphemus—Galatea—Acis encounters. The next section of the chapter looks at some virtuoso painted Polyphemuses from major Renaissance artists; after that the argument turns to some early modern one-eyed ogres, and then to the blacksmiths, returning to the theme of fire. There follows a detailed look at some Cyclopes sculpted in grottoes—a development of the ancient motif of the cave.
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