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See other girls from China: Nude women. Swinging in Dali, Nude women. Swinging in Jinzhou, Nude women. Swinging in Hangu
Technically, science tells us, pink is not on the spectrum — what we see is a mix of red, white and proximate colours. Thomas Lawrence. Oil on canvas, x cm. The Huntington Library, Pasadena, California. Curiously, pink is thought to be the oldest colour in nature, lying under the Sahara in billion-year-old-rocks flushed with ocean-going cyanobacteria. And yet, discounting the illusory pink produced by refracted light of certain gemstones and sunsets, pure pink manifests in nature quite rarely — a very few birds, still fewer fish and insects, and a handful of animals — displaying abundantly only in wildflowers.
Thomas Gainsborough. Mary, Countess of Howe, Oil on canvas. Kenwood House. In art, however, pink has a rich history, visual and metaphorical. In Asia, pink manifested in the sandstone temples carved out of rockfaces cf Al-Khazneh in Petra and in towering Buddhas cf the Giant Buddha in Leshan.
Folio from the Shah Jahan Album. The sophisticated Greek polychromy assigned the colour to Aphrodite, the goddess of love. Christian depiction throughout the middle ages fixated on crucifixion and sainthood, portraying the flesh of Jesus with the white of innocence mixed with the blood red of his wounds, and blushing the skies of lavish manuscripts to token the beatitude of angels and the ascension of Mary, blessed Mother of God.
More nuanced were the pinks of the Renaissance, which first named the colour — then called cinabrese. Hieronymus Bosch. The Garden of Earthly Delights, c— Triptych, oil on oak panels, Museo del Prado, Madrid. Pink manifested most vividly for florals — those carnations immortalised by Raphael in his Madonna of the Pinks and the sumptuous roses centring still lifes by such Dutch masters as Willem van Aelst. The Rape of Europa, s, between and Isabella Stewart Gardner Museum, Boston.
