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To browse Academia. Sarah Dauncey. Yuanfei Wang. In Jin Ping Mei cihua, purple in different shades becomes fashionable among courtesans and women of gentry and merchant classes. Purple, which used to designate high official ranks and royalty from Tang to Song, was censored, downgraded, and diverted from the official sartorial hierarchy in the Ming. Offering a brief material and cultural history of purple dye, this article delineates how the women of Jin Ping Mei adopt purple to construct their professional and everyday personas and argues that dyeing and colors are central in the novel's conception of the dynamics between the material world and the mind.
Kathryn Lowry. Yizhou Wang. Shu Yang. This article analyzes how the " new woman plays " written by the modern dramatist Ouyang Yuqian in the s weave together the old trope of the shrew with his constructions of the Chinese Nora promoted by May Fourth ideology.
Of particular interest is how Ouyang reworked the traditional Pan Jinlian story in his eponymous play to rehabilitate the most notorious shrew from late imperial literature into a modern Nora. The article goes on to examine the performances of Nora by Lan Ping, later known as Jiang Qing , in the s. It analyzes the public reception of Lan Ping's deployment of old and new female types when she played a forceful Nora on and off the stage.
This study claims that cultural interest in the traditional shrew did not die with the collapse of imperial China. Rather, modern cultural figures redeemed formerly denounced shrew attributes and revived the shrew as a positive model for female empowerment in their constructions of the " new woman. Ming Qing Yanjiu. Ye Yuan. Studies emphasizing physical and material desire depicted in this novel often overlook the theme of chastity.
