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Existing theories of empathic response to visual art works postulate the primacy of automatic embodied reaction to images based on mirror neuron mechanisms. Arguing for a more inclusive concept of empathy-related response and integrating four distinct bodies of literature, we discuss contextual, and personal factors which modulate empathic response to depicted people.
We then present an integrative model of empathy-related responses to depicted people in art works. The model predicts that the specific pattern of interaction between empathy-related and esthetic processing is co-determined by several sets of factors: i the viewer's individual characteristics, ii the context variables which include various modes of priming by narratives and other images , iii multidimensional features of the image, and iv aspects of a viewer's response.
Finally we propose that the model is implemented by the interaction of functionally connected brain networks involved in socio-cognitive and esthetic processing. Empathy-related phenomena occupy a central place in contemporary neuropsychology and social and affective neuroscience. This research agenda, spurred both by the rapid spread of neuroimaging, and new conceptual models, has been accompanied in the past two decades by the rediscovery of empathy in the humanities, particularly in art history and theory and in film studies.
It is increasingly evident that empathy-related issues offer the possibility for productive interfacing between the sciences of the mind and brain and the humanities.