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The English language, with its elaborate generosity, distinguishes between the naked and the nude. To be naked is to be deprived of our clothes, and the word implies some of the embarrassment most of us feel in that condition. He goes on to comment that:. There are naked figures in the paintings of the far east; but only by an extension of the term can they be called nudes. In Japanese prints they are part of ukiyo-e, which includes without comment certain intimate scenes usually allowed to pass unrecorded.
The idea of offering the naked body for its own sake simply did not occur to the Japanese mind…. Clark footnotes this observation by stating that no western artist even at his crudest would seek such specialisation — a fact he attaches to the legacy of Greek notions of wholeness.
Mulvey proposes that in film, women are typically the objects, rather than the possessors of gaze because the control of the camera and thus the gaze comes from factors such as the assumption of heterosexual men as the default target audience for most film genres. The same assumptions can be made about the history of easel painting. Western painting developed a taste for nude subjects following the early modern expansion of capitalist models of social organisation. These models, as in contemporary culture, assumed and reflected a male heterosexual audience who were both wealthy and empowered as consumers and who required by deft sleight of mind, a rubric within which to legitimise a taste for voluptuous female flesh.
Of course two things enabled this to happen even in a restrictive Christian society; namely the classical past and the idealisation of form. These are the two tenets that Clark spends four hundred pages attempting to post-rationalise. There is no such embarrassment for the Japanese artist; not as Clark would argue because of moral inferiority, but for quite the opposite reason. We can really only marvel at a culture as sophisticated as that of Edo Japan, lacking the kind of gendered difference in sexual relations that has enslaved so many women in the west to be the objects of obsessive visual consumption.
