Nude women. Swinging in Balsas
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Already a member? Sign in here. The paint shows a section of a tree, its stumpy branches protruding outward to the edges of the canvas, auburn leaves dangling and falling; its bottom portion is ensnared by a red mass of spirals and curves; where still visible, the tree is distorted as if seen through a concave lens. In conversation Dunham both enlightens and obfuscates.
He is deeply articulate about what his paintings are and are not in all their past and present physicality but refuses any easy readings narrative, biographical of the actual things depicted between the stretcher bars:. I know that my experience of making my work is to not be conscious of these influences. But if I look back, there seems to be a time lag to this resistance to interpretation. I appear to reserve a big continent of denial for myself in order to be able to do my work.
They need to be read apart from the subject matter say, a bather, a sky, a horse from the content contained on the canvas marks, colors, masterfully layered paint handling. This attention to the passage of time is recorded on the painting themselves, as multiple work dates scrawled across each work become as much a part of the image as any normative subject.
