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Transgressive Art Films offers a holistic approach to the way we consider controversial and extreme cinema — not just as individual or grouped texts for analysis — but as artefacts that ought to be considered within a complex network of social factors.
This book provides a rigorous framework for understanding some of the most controversial films of the past twenty-five years. By paying attention to all scales of cinema, from close analysis of individual frames, through the discourse constructed around them, up to global distribution and film-festival networks, Transgressive Art Films details how certain kinds of cinematic transgression gain wide-ranging institutional support rather than being ignored or forgotten.
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