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Russell W. Baker Curator of Paintings. Many thankx to the Museum of Fine Arts, Boston for allowing me to publish the art work in the posting. Please click on the images for a larger version of the art. Francisco Goya Spanish, A heroic feat! With dead men! Con muertos! Many of these prints and drawings have not been on view in Boston in 25 years. Employed as a court painter by four successive rulers of Spain, Goya managed to explore an extraordinarily wide range of subjects, genres and formats.
Working with equal prowess in painting, drawing and printmaking, he was the portraitist of choice for the royal family as well as aristocrats, statesmen and intellectuals — counting many as acquaintances or friends. Among the works he created — some 1, oil paintings, frescoes, miniatures, etchings, lithographs and drawings — many are not easy to look at, or even to understand.
Noted for his satirical eye, Goya reserved his closest scrutiny for himself. The first section of the exhibition, Goya Looks at Himself, is a sweeping group of self-portraits. At the entrance of this section is an imposing group portrait of The Family of the Infante Don Luis , Fondazione Magnani Rocca, Parma, Italy — the brother of King Charles III — which features 14 figures, including Goya, who depicts himself working on a sizeable canvas on an easel.
Through his art, Goya sought to describe, catalogue and satirise the breadth of human experience — embracing both its pleasures and discomforts. The artist tackled the nurturing of children, the pride and infirmity of old age, the risks of romantic love, and all types of women — from young beauties to old women.
