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Figure 0. Polemical in nature, it was part of an effort to refute the idea that scientific knowledge can be reduced to closed sets of statements or logical propositions.
Generally transmitted in non-verbal form, these beliefs and traditions, Polanyi held, constitute the basis from which explicit knowledge can emerge, and explain why one always knows more about a particular subject than one can put into words. In architectural culture, the question of which knowledge architects hold and activate is an old one. Morgan New York: Dover Publications, While the bad architect has no eyes, hands, or ears, and is thus deprived of any visual, tactile, or auditive apprehension of the world, the good architect has three eyes, four hands, and four ears.
This book accordingly includes ten critical essays that address fundamental questions concerning the character of tacit architectural knowledge, the way that it performs in the discipline, and how it affects architecture culture. The first series of questions that several contributions in this book address concerns the very character of tacit knowledge in the field of architecture.
In architecture culture, tacit knowledge appears in many modes and has many different faces. Architects not only gather knowledge through textual learning, but also through bodily apprehension.