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Print this article [ PDF ]. In recent decades, it has assumed massive proportions, combining traditional cultural themes with spectacular visual qualities, thematic innovations, and many sociological changes. This paper analyzes the festival from an anthropological perspective, suggesting its interpretation as a contemporary cultural movement that, while enhancing regional indigenous roots, expresses a positive statement of a Brazilian caboclo, or mestizo, cultural identity.
The festival is a peculiar development of a folk play that has existed in Brazil since the 19th century and is based on the motif of the death and resurrection of a precious ox. An historical examination of the early records and studies of this play is undertaken in order to position the Parintins Ox Dance in this wider context. A brief ethnography focuses on its evolution from a small group of street players to the spectacular arena presentations of today's festival and on the basic structure of the current performances.
The festival is organized around a contest between two Ox groups: Garantido [Secure], represented by a white ox with a red heart on its forehead, and Caprichoso [Capricious], represented by a black ox with a blue star on its forehead. The performances are basically free sequences of danced dramatic actions, enacted by a set of characters, loosely related to a traditional motif of the death and resurrection of a precious ox.
In the past few years, this festival has grown to massive proportions, exhibiting an unexpected and creative blend of traditional cultural themes with spectacular visual qualities, thematic innovations, and other changes of sociological significance. Today, it attracts tens of thousands of fans, coming not only from Manaus the state capital and nearby towns, but from all over the country.
