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From the world premiere of the play, in original language, in a Bosnian national theater in Zenica in As our sense of artistic and personal connection to one another grew beyond that original project, we became interested in two things: the idea of literary translation as a communal act, as a collective formative practice; and the excellence of Serbo-Croatian-language theater compared with the relative lack of excellent translations of dramatic texts from the language into English.
The latter problem, we knew, was partially an issue of fluency so few English speakers learn Serbian , but it also had to do with the difficulty of translating the complexity of the cultural and historical reality of the Balkans into an English-speaking context without weighing it down with endless footnotes and explanations.
We began to consider collaborative translation as a method of using our interest to address the lack we had perceived. Her Sterija Award-winning We Are the Ones Our Parents Warned Us About is a two-person play in which the accidental meeting of a middle-aged woman and a teenage boy in a public restroom one summer evening leads them into a role-play through which they try, and ultimately fail, to narrate their whole lives to one another.
From slanted Bosnian folk-songs to intricate references to Serbian TV shows and bloody regional conflict, the script is dense with elusive, allusive meaning. Her full-length plays How Much is Pate?
