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Mishima is considered one of the most important post-war stylists of the Japanese language. He was considered for the Nobel Prize in Literature five times in the s—including in , but that year the award went to his countryman and benefactor Yasunari Kawabata. Mishima's work is characterized by "its luxurious vocabulary and decadent metaphors, its fusion of traditional Japanese and modern Western literary styles, and its obsessive assertions of the unity of beauty, eroticism and death", [ 7 ] according to author Andrew Rankin.
Mishima's political activities made him a controversial figure, which he remains in modern Japan. He chose his pen name when he was Mishima's childhood home was a rented house, though a fairly large two-floor house that was the largest in the neighborhood. He lived with his parents, siblings and paternal grandparents, as well as six maids, a houseboy, and a manservant.
His grandfather was in debt, so there were no remarkable household items left on the first floor. Mishima's early childhood was dominated by the presence of his grandmother, Natsuko, who took the boy and separated him from his immediate family for several years. He spent much of his time either alone or with female cousins and their dolls.
Mishima returned to his immediate family when he was His father Azusa had a taste for military discipline, and worried Natsuko's style of childrearing was too soft. When Mishima was an infant, Azusa employed parenting tactics such as holding Mishima up to the side of a speeding train.
