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It is considered a close copy of a lost Titian original. The knee-piece shows a somewhat chubby middle-aged woman in a red velvet dress in front of a turquoise background. On her head she wears a balzo , a fashionable invention of Isabella d'Este from [ 1 ] , which was widely used in northern Italy in the s. Personal features are reddish-brown curls, brown eyes and classically arched eyebrows. At the beginning of the 17th century, Rubens was a court painter in Mantua.
During this time and later in other places he copied Italian painters, including Titian. These are considered close copies. After Rubens' death, two copies from his hand of two Titian portraits depicting Isabella d'Este are mentioned in his inventory.
Independently, since chronologically before, other copies of the lost Titian original exist, in particular:. As identifications of Isabella d'Este , three coloured portraits are exhibited in the Kunsthistorisches Museum. Due to the resulting confusion, all other museums have withdrawn colour identifications.
Potential explanation would be a misidentification either in Isabella in Black or coincident confusions in Isabella in Red and the Ambras Miniature. The contradictions start in the inventory after Ruben's death in Antwerp with the simultaneous naming of Isabella in Red and Isabella in Black. The inventory is four generations later, in , and thus included namings are not reliable. Portrayals with Balzo were often referred to as the famous patron of the arts after Isabella d'Este's death.
