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On view in the gallery is an expansive selection of work in diverse media by six artists who unapologetically create representations of female sexuality. The history of women in art has been, in large part, the history of women as subject or as muse. The artists included in CUNT make work that runs counter to this dominant history, asserting instead that women can be both image and image-maker.
The exhibition argues that methods of representation have an impact upon the interpretation of bodies and histories, in a way that can challenge governing understandings of female sexuality. Each artist in the exhibition contributes work that employs imagery of the body, of copulation, or of masturbation, that underscores these conversations, but none of the images elevate, romanticize, or subdue their subject matter for the comfort of the viewer.
Instead, these works enlarge, repeat, and glorify images of women and vaginas in order to demand that the viewer respond to the work with an understanding of women as both subject and maker. Judith Bernstein b. Bernstein was a founding member of A. In addition to the mural, Bernstein will exhibit a new series of sexualized protest paintings in the gallery, all rendered in day-glow paint, as well as a pair of her vertical screw paintings.
With the day-glow paintings, Bernstein continues to develop a system of images she established in her CUNTFACE paintings, rendering enormous, predatory vaginas complete with sharp, gnashing teeth. Her oeuvre includes work in nearly all media, including video, photography, performance, installation, writing, and publishing, and her production has long been marked by a desire to explore culturally coded taboos related to women as sexualized objects.
