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We again thank Stephen Mark Carey Georgia State University for organizing what promises to be an exciting and valuable program. Each of our presenters at Kalamazoo deserves high praise for having made our sessions a pleasure to attend.
We received many abstracts this year and these three were adopted into a session organized by Carol Mattord, a colleague in the English Department at Georgia State University. Albrecht Classen University of Arizona at Tucson will be presenting his recent contribution to our field:. SMGS looks forward to seeing you at this well-received and enjoyable session at Kalamazoo in Edited by Sara S. Poor and Jana K. New York: Palgrave Macmillan, Although there are a few anthologies that explore the roles of women in medieval epics, it appears that this anthology is exceptional in its selection of essays from a variety of cultural traditions ranging from the chronicles of Persian Empire to the sagas of the Vikings.
Such an approach invites the reader to look beyond the mirror of masculinity so often embodied by the epic protagonists and affirmed by numerous scholars to see the occasional nuanced and subtle reflection of femininity as well. Indeed, the focal point of the anthology centers on the dynamic between representations of masculinity and femininity that creates literary worlds and expresses communal ideals within each epic.
Schulman, Kaaren Grimstad and Ray M. Wakefield, and Kathryn Starkey. Jana K. Instead of comparing the depiction of women in different literary works, genres, or cultures, this essay zooms in to focus on the performativity of smiling within the codicological context of the Nibelungenlied. Starkey explains how the Nibelungen poet uses two distinct verbs to denote two different types of smiles that have significantly different connotations within the fictional world of the epic.