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They take liberties with both the characters and the action. He also murders Liza in her bathtub. Liza and her cousin and fellow prostitute Polina are more than friends. They also perform in the Intermezzo as Chloe and Daphnis as an entertainment for the brothel patrons.
When the curtain opens, we see the bottom portion of stage, with a low ceiling, is a drab box with a long table where Hermann and other soldiers as well as the gentlemen sit and drink and gamble. This box transforms into a large brothel parlour with chairs and a piano. As Hermann loses his grip on reality in a delirious dream sequence, his bed is placed in a crooked box on stage, where he is visited by the old lady.
The stagecraft is impressive; costumes are simple and crisp, lighting is evocative and effective, stage movements are exceptionally well choreographed and executed. Some details of the rewriting by the two directors may seem excessive, but they often make sense in the context of the retelling — interesting and provocative Regietheater.
The reinterpretation may not have been as acceptable or even enjoyable were the musical performances not of such top quality, astounding and unforgettable. Kirill Petrenko , in his typical fashion, focused on bringing out subtleties and nuances in Tchaikovsky's score with the Berlin Philharmonic, rather than going for exaggerated tempi and dynamics.
