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To browse Academia. Michael Pickering. William Anderson Gittens D. In context, since the Barbadian date of independence, these nations continue to share ties through the Commonwealth of Nations, and as two of sixteen separate nations across the globe closely co-existing through sharing of the same Head of State, Queen Elizabeth II as their Monarch. Concomitantly, therefore the same is one of the many reasons which has activated the contours of my thinking to frame the theoretical question Why Little England.
Kari Kallioniemi. Nick Green. This article explores some of the ways in which England has been portrayed in the genre of folk, rock and punk music between and The article argues that changes in both the music and lyrics reflect the shift in England from what Eric Hobsbawm calls a post war 'Golden Age' to 'Crisis Decades'.
These musical transitions are evident in increasingly strident instrumentation and lyrical content that becomes progressively more cynical. The article argues that in this way, English folk, rock and punk music has played a role in both reflecting and recreating the spirit of the age. Rob Kitchin. Richard Witts. Darya Berezhnyuk. Richard Elliott. This paper examines the circulation of recordings from continental Europe in Britain prior to the Second World War, focussing on the broadcast and critical reception of recordings as found in journals such as The Gramophone.
While these later periods highlight greater consumer access to foreign sounds through tourism, world music media and access to studio technology , the pre-War period is notable for the reliance on paternalistic "experts" to mediate the sound of otherness to a relatively small and privileged audience. The period thus forms a link between what can be broadly thought of as a colonial era and an era of globalization.
