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A strange sound filtered from the podium, harmonious and ear piercing in equal measure. The audience shifted and muttered in anticipation. Florence was on the cusp of making history.
This was the night she would become the first Black woman to have her music performed by an orchestra of this calibre. Her former student and family friend, year-old Margaret Bonds, would perform a concertino for piano and orchestra, becoming the first Black female soloist to play as a guest with the Chicago orchestra.
In , the core orchestra was all-male, and entirely white. Helen Kotas would be hired as principal horn in , becoming the first full-time female member. But the orchestra would not hire a Black musician to perform as a full-time member until , when Tage Larsen was appointed as fourth trumpet. In , the audience was mostly white, too.
Despite theatres being desegregated in , the Auditorium Theatre in downtown Chicago was in an area dominated by wealthy, white families. Written in and early , the symphony generally followed the traditional four-movement structure, while also displaying the individuality and influences of its author.