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The show was almost sold out. The situation with age group was as varied as it usually is during Deep Purple performances.
On my left I saw an approximately year-old man, and on my right there was a couple, 40 years old both of them. In front of me there was a year-old girl, and behind me I saw parents taking care of their kid. It was my fourth time seeing Ian performing with an orchestra. This time the show took place in Linz, Austria — the craddle of cultural and musical heritage. I somehow knew from the moment I heard about the concert that the angel would descend from heaven to provide her personal violin touch.
They basically followed the setlist I saw in Germany. It was a nice introductory part to the main event. For a handful of fans it was a gentle reminder. What was striking for the latter group was the sound of the orchestra blended with the vocals. It was so clear. Each and every instrument was audible. Also the vocals did not step outside the orchestra — it was the driving part of the performance.
For the first time in my life, I did not see the show from the first row. Thus, I could easily estimate the work of the sound engineer — it was brilliant. It was not returning. Great work! The show was a fusion thing, performed with excitement and applauded with lots of enthusiasm. Obviously it was all in a different mood than Deep Purple but that was the spirit.