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For centuries dabke was a local tradition in Syria, but in the late s, it has become more and more urban. Thereby, the popular dance music was reimaginated and globalized.
Under the name «new wave dabke» special stylistic idoms have become noticeable — but instead of the capability to merge into free mixtures, they create new social boundaries. From the Norient book Out of the Absurdity of Life see and order here. Dabke is a centuries-old dance music tradition of the Levant that features a signature stomp in Arabic, dabke translates as «to stomp the ground with your foot» and tabla drum. It is a groove music with persistent downbeats and mechanized rhythms that can be traced regionally from Kurdish Iraq to the eastern Mediterranean coast.
Nos Tefaha, a protest rock band working from the occupied Golan Heights, breaks into dabke melodies and rhythms between politically charged verses that deliver the message of non-violent resistance to the Syrian regime Farraj Dabke is arrestingly local.
Someone from the Hawran region, for instance, may not understand a singer known as a mutrib among Arab speakers from Lattakia due to linguistic differences between provincial dialects. Likewise, discrepancies among footwork figures and rhythmic patterns tend to be ascribed to distinct village traditions or ethnic heritage.