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To browse Academia. An overview of regional cinema's emergence in the Philippines. Nadin Mai. Adam Szymanski. A critical overview of the Cinemalaya Film Festival in Manila. Elvin Amerigo Valerio. In the last ten years — as Hollywood movies continue to dominate the Philippine cultural landscape and the output of the Filipino mainstream movie industry continues to decline — the Philippines has seen a surge of films produced by so-called " indie " or independent filmmakers.
Unfortunately, while independent films are popular among a few upper and middle class audiences, it has yet to create a major impact on the wider movie-going public. As a result, independent filmmakers bring their works to international film festivals, mostly in Europe and the United States. Questions arise as to whether these filmmakers create films that cater more to Western tastes than to that of Filipinos.
This paper argues that independent films can also be used as an " alternative " to counter the global hegemonic dominance of Western cinema, particularly those of Hollywood. It adopts as its primary framework the post-colonial theories of Renato Constantino and Bienvenido L. The essay proposes two questions that can serve as a guide for Filipino filmmakers: a Cinema for whom? It further suggests that Filipino filmmakers can make use of movie genres already embraced by the masses, subtly subverting and re-inventing its form in order to address the Filipinos' " colonial mentality " brought about by decades of U.
In other words, filmmakers can foster counter-hegemonic ideas under the guise of the popular melodrama, comedy or fantasy genre; hence creating a truly Filipino alternative cinema. Emerald F Manlapaz. Since its birth in , the Cinemalaya Philippine Independent Film Festival has proven itself a major force in the Philippine film industry.