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To browse Academia. James Schaap. The critical reception of The Road has often tended to identify the novel as a post-apocalyptic, namely, it depicts a man and a boy in a bleak, desperate, catastrophic atmosphere, in a land deprived of civilization and culture. In addition to building up effects of post-apocalyptic fiction, the novel also has some features that could be attributed to postmodernism. Postmodernism is a late twentieth century movement characterized by skepticism, paradox, paranoia, irony and a general suspicion of reason as post war period makes it hard to allow any single defining source for truth and reality in an already fallen world.
Accordingly McCarthy portrays such a world that values like humanity, morality gain paradoxical dimensions. In a desolate world where it is hard to attribute meaning to life itself, the man and the boy's strife to hold on to life through a metaphor of fire and belief in God equals to postmodernism's critical usage of irony in some conventions. Looking through such a perspective, McCarthy's work could be analyzed within the framework of the postmodern textual and stylistic features employed in the novel, exploring the ways in which the writer puts less reliance on traditional narrative form-through narrative strategies such as fragmentation, mingling of the past and present by means of recollected memories and dreams-and in doing so, raises questions on the issue of truth and existence in a dead world engulfed by constant state of paranoia and suspicion.
Megan Colson. The Road is a devastating yet surprisingly beautiful novel that raises many questions relating to our temporal presence on this planet and our ultimate destiny.
McCarthy successfully utilises a variety of themes to deliver his message and generates ideas using simple, pared back prose to great effect. In fact the narrative contains so much inspiration that a single essay, such as this, is inadequate to fully address the issues arising.