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Download PDF Version. The process of human movements, especially female ones, through the interaction of body and music was ultimately the cornerstone of the configuration of not only the aesthetics, but the overall ideology of some of the most prominent representatives of Impressionism, but also Post-Impressionism, as in many cases it determined their own lives.
The imposing and much debated waltz, the classical ballet as well as the charming can-can and, its ancestor, the playful quadrille, were harmonically blended with the enchanting tools and materials of the Impressionist artists and the result was some of the most astonishing works of art in the world art history.
Dance in the 19 th century played a particularly dominant role not only in the dance halls of the world but mainly in the social arenas of both East and West as it seemed to invade and fatally change the hierarchy in the moral and aesthetic principles of many world societies.
So, if we turn our attention to France in the second half of the 19th century, we can realize that dance, both as a classical performing art and as a simple social event or a spectacle of night entertainment, played an important role in the way people looked at the new status quo dictated by the new order of the time.